A film poster is large paper. Once folded, the fold sometimes belongs to the piece, the way it came from cinema advertising. If you iron it, you make a new condition, and often a tear. In the overview Security for collectors this sits with the large paper formats.

What breaks without a thief

Light, adhesive tape, a roll that gives its color off to the roll next to it, damp in the cellar. You store dark and dry, flat in a portfolio larger than the sheet, or in the folded state the piece had, without a new crease. Roll only if the color can take it and nothing lies on top.

When someone comes

A roll under the arm is light. Expensive posters do not lie open in the study by the door. They lie in the large portfolio in an unobtrusive place, and the very expensive ones also so that water from the floor cannot reach them.

The folder

Film, country, format, folded or unfolded, condition of the corners, proof. A photo of the entire surface. The policy needs the format, or else "a poster" is everything and nothing.